STATUS
IDEA
CLIENT
Europa City | Alliages & Territoires
TYPOLOGY
Culture
SIZE M2/FT2
34,000 / 365,976
SHARE
Located at the key pedestrian access point to EuropaCity, La Porte exhibition hall acts as a
portal allowing the public to flow freely between the neighborhood and the new train station. A treelined pedestrian bridge passes through the building on its way across the urban boulevard.
Rather than a square tunnel through the building, the gateway is conceived as a smooth transition from one façade to the other, turning the surface of the museum inside out. In the direction of the bridge, the building will consist of a procession of 43 parallel concrete frames that change in scale, from generous to intimate as you pass through. Similarly, the species of trees will range from big to bonsai and back again. The façade will seem to cave in like a loophole from front to back. Viewed from the front, the building is opaque and enigmatic. As people pass through, it turns out to be an entirely transparent space with works of art in all directions. The passageway becomes a promenade through an art archive. The building’s insides will be exposed on the outside, and its main façade will
be the space within it.
The Site
— The exhibition hall program is approximately 32-35,000 m². It is spread over a total area of about 28,000 m² and is in a rectangle of 273 m x 101 m.
A Linear Landscape
— All EuropaCity buildings follow the guidelines of the bands, which are oriented differently according to the different areas of the project. At the North of the BIP, they are distributed parallel to it, as if to echo it. They are conceptually expressed as landscape strips of concrete, between the train station’s belvedere and the BIP.
Emergence
— Some of these strips emerge from the ground to become a volume. It begins immediately at the North of the BIP, to create a built façade on the BIP and extends all the way to the northern limit of the site.
Adaptation to the Site
— In plan, the North face of the building is slightly displaced to the West. The resulting geometry is a parallelogram shape that completely resolves the incongruence between the perimeter of the site and the axis of the bridge.
Connections
— A direct connection between the train station’s belvedere and the heart of EuropaCity is planned - this bridge pierces the building in its center. Rather than a square tunnel through the building, we propose to form the gateway as a smooth transition from one façade to the other, turning the surface of the museum inside out. The façade will seem to cave in like a loophole from front to back – from the train station to Europa City. This makes it possible to connect the station to the belvédaire, but also to connect the different levels of the plaza, either on the side of the station or on the side of the BIP, to the main entrance of La Porte on the bridge.
Modeling of Landscape
— A landscaping treatment is done. To the East, on the park side, the ground is pushed down creating an outdoor amphitheater. This iteration also brings daylight into the archives at the basement level. On the side of the train station square, to the West, opposite treatment of the landscape is applied. Instead of a push down, the landscape is raised and a hill is created. Its summit connects to the lobby of the project, making possible its direct access from the station square.
Unveiling of the Frames
— Another modification applied to the facades is the punctual unveiling of frames at particular moments. This plays in a fun way with the lines of the project, which have their origin in the bands of EuropaCity. Thus, openings and densities are created at the rhythm of the structure.
Encounters of Two Landscapes
— On the East side of the site, the “coulée verte” is spread out and intertwined with the concrete strips to the building. The west side is mostly mineral, consisting of either concrete pavement or gravel. The transition between these two landscaping areas will be gradual.
La Porte
— As visitors approach Europa City towards La Porte, the character and feel of the building will transform gradually from a solid frame to an open space. As visitors move through La Porte, the frames appear to part revealing inviting views in to the interiors. The East and West facades will be made like giant vitrines of visible storage, allowing the collections to be displayed to the museums exterior. As people pass through, they will find themselves immersed in an art archive surrounding them in all directions. The vast storages that are currently hidden from the public will now populate the façade of the halle forming an urban archive.
While the building serves as a gate to Europa City at the urban scale - the open structure of the parallel frames allows visitors to see and move freely through the porous membrane as if by osmosis.
On the one hand, the “Grand Atelier des Conservateurs”, and on the other side, the public reception hall, with art installations outside the walls. Visitors to EuropaCity find themselves surrounded by works of art in all directions, from left to right, from top to bottom, transforming the passage from the station into EuropaCity to a walk in the heart of a real art archive.
In the direction of the bridge, the building consists of a procession of parallel concrete frames that change scale, from generous to intimate, then generous again to open on EuropaCity. Viewed from the front, the building is opaque, enigmatic, but the graceful curves come to envelop the visitors in this poetic procession. When visitors cross the first frames, they discover a building of great transparency, an inviting and open space whose vibrant activity draws them inward.
Bjarke Ingels Jakob Sand Dominika Trybe Gabrielle Nadeau Lucas Stein Mattia Di Carlo Raphael Ciriani Robert Grimm Sarkis Sarkisyan Semiha Toptas Tore Banke Yehezkiel Wiliardy Manik
COLLABORATORS
dUCKS scéno
BMF
